Why this Project is Important

Potential Long Term Impact

Dialoging and networking with supposed adversaries will serve participants for years to come, as the lasting effects of sectarian violence are felt. Through trainings, participants develop skills to initiate change and build alternatives to war.

Project Message

The ability to hold vibrant festivals in the current oppressive and military times is an important success…it raises the voices of liberated people in the midst of religious hegemony and militarism.
- Yanar Mohammed, Director & Founder, OWFI

Who is Running This Project

MADRE, An International Women's Human Rights Org.'s Current Projects on GlobalGiving

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Where this Project is Located

Country

This project is located in Iraq and can also be found under Human Rights.

For more information about Iraq, read the Human Development Report on Iraq or the Wikipedia entry for Iraq.

When this Project was Updated

Last Updated

This project was last updated on June 10, 2008.

Date Added to GlobalGiving

This project was added to the GlobalGiving project catalog on May 01, 2008.

Latest Update from the Field

International Women's Day Festival; Youth Outreach

By Vivian Stromberg - Executive Director, MADRE, June 10, 2008 06:48 PM

To celebrate International Women’s Day, on March 9th, 2008, OWFI organized a festival in the theater hall of Baghdad’s Technology University. The festival was fliered widely in the streets of Baghdad, and the hall, which seats 550, was so crowded there was not even standing room in the aisles.

To open the events, the Hurriya Theatre Group performed a play dedicated to the memory of Du’a Khalil Aswad, a seventeen-year-old Kurdish woman who was stoned to death in 2007, allegedly for dating a Sunni boy. The “honor killing” took place in the town square of Bashika, where one to two thousand men brutally murdered Du’a, while local police watched on in total compliance. The play, whose only line of dialogue was the phrase “Love will not die,” was met with ovations and riotous applause from the packed hall.

Following the play, OWFI Director Yanar Mohammed delivered a rousing speech. Musician and long-time OWFI friend and collaborator Jafar Al Mshattat, who smuggled musical instruments across militia checkpoints to attend rehearsals, performed a song written specially for the struggles and strengths of Iraqi women, followed by popular ballads and love songs. The side aisles and balcony of the space were crowded with students and young people singing and dancing. Lastly was a poetry jam featuring some of Iraq’s most talented young poets and activists.

This was a landmark evening; the ability to hold such an event in public in an oppressive military state was marked as a huge success in the history of the women’s movement in Iraq. Many attendees recorded parts of the performances on their cell phones to show their friends and family who were unable to attend. The hosting University’s administration was so impressed with the event and the reaction it garnered that they invited OWFI staff back to hold regular women’s rights workshops for students and faculty.

On March 20th, as part of an outreach program to youth in occupied areas, OWFI held another Art Action for Peace event in Al Madaen, also known as Salman Pak, marking the fifth year of U.S. occupation in Iraq. This Sunni suburb 15 miles south of Baghdad has been a hotspot of sectarian violence in recent years, as roving Shiite militias and extremist Sunni groups like Al Qaeda have been terrorizing residents. The “Awakening,” a moderate Sunni militia funded by the U.S. military in hopes of limiting area bloodshed, has, in actuality, escalated tribal violence.

The event was held outdoors at a local secondary school and attended by many youths from Al Madaen/Salman Pak and surrounding neighborhoods. Some young soldiers of the “Awakening” movement came to the event, and, while organizers were worried they would object to an atmosphere that was far from encouraging paramilitary culture, the militia members were so moved by the performances that they stayed until the end of the event, guarding attendees and artists from any possible attacks. The event was very successful, garnering new participants and performers alike, and spurring requests for Art Action for Peace events in neighboring areas.

We hope you will give today to support this wonderful initiative from MADRE and OWFI. Your help can build new bridges for young people navigating the difficulties of occupation and civil war.

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